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	<title>unmeasuredinstances</title>
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	<description>-- painting, writing, and reflections --</description>
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		<title>((un(measure(d(i)n)stances))</title>
		<link>http://sarahsands.com/blog/uncategorized/unmeasuredinstances</link>
		<comments>http://sarahsands.com/blog/uncategorized/unmeasuredinstances#comments</comments>
		<pubDate>Sun, 22 Jun 2008 20:13:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[uncategorized]]></category>
		<category><![CDATA[writing]]></category>
		<category><![CDATA[writing art]]></category>

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		<description><![CDATA[&#8216;Unmeasuredinstances&#8217; actually comes from a title I gave to my artwork, taken as a whole, many years ago. What follows are from journals written at that time: ((un(measure(d(i)n)stances)) The off-centered (i) nestled between parenthesis, like some seed-tight bud bound within skin, the parenthesis rippling out, patterns of interference, the din of our selves. To measure, [...]]]></description>
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<p><span>&#8216;Unmeasuredinstances&#8217; actually comes from a title I gave to my artwork, taken as a whole, many years ago. What follows are from journals written at that time:</span></p>
<p>((un(measure(d(i)n)stances))</p>
<p>The off-centered (i) nestled between parenthesis, like some seed-tight bud bound within skin, the parenthesis rippling out, patterns of interference, the din of our selves.</p>
<p>To measure, to take up a stance, a fixed position or point of reference, is to place the world at a distance, to untangle oneself from all that blinds (and binds) by its closeness and silences by its mystery.</p>
<p>And so the task is to undo what has been done &#8211; to un measure that which keeps apart and sets asunder. To replace the emptiness that surrounds us with an ever renewed becoming. To flow and so to fill, or feel, the spaces between you and i. To see the world as writ in water, and no longer carved in unmoving stone.</p>
<p>To experience space and time without measuring, without mapping it out onto a system &#8211; to undo all that, to un-measure the distances and instances which meaning keeps apart. To break down our stances, our fixed positions &#8211; to float, unanchored, with nothing to tie us down. To set sail &#8211; to let our wonderings become our wanderings. To become as in the beginning, nomads &#8211; strangers within a strange land, sojourners tracing for the first time the unmapped shorelines of our heart&#8217;s content, our true desires: to journey out, explorers in search of our new amor-ica &#8211; our new found land of love.</p>
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		<title>Lines and Layers, 2004</title>
		<link>http://sarahsands.com/blog/writing/lines-and-layers-2004</link>
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		<pubDate>Sat, 15 Dec 2007 22:49:33 +0000</pubDate>
		<dc:creator>sarah sands</dc:creator>
				<category><![CDATA[writing]]></category>
		<category><![CDATA[artist statement]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[painting]]></category>

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		<description><![CDATA[The recent work in this show evolved in response to the wooded landscapes that lie between Gilbertsville and Columbus, NY. These are spaces I travel through and live in daily, places where the horizons of hills and valley-views dart in and out between the thick lattice of branch and leaf, like single threads drawn through [...]]]></description>
			<content:encoded><![CDATA[<p>The recent work in this show evolved in response to the wooded landscapes that lie between Gilbertsville and Columbus, NY. These are spaces I travel through and live in daily, places where the horizons of hills and valley-views dart in and out between the thick lattice of branch and leaf, like single threads drawn through a loom. And in the intervals and interstices jagged blue shots of sky hang like grace notes in the air. And in time these thickets and groves and forested glens became endless textures of complexity &#8211; woven from lines and layers, dots and dashes, a textile forever recreating itself in new patterns and energies. My paintings are meant to capture some of that play and puzzelment of remembered experience. They are mementos in the broadest sense of that term.</p>
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